The Art of Graff
2016 was a
great year for Street Art in Toulouse. Last june in La Ville Rose, took
place the event Rose Béton. Many famous persons were invited such as George SHAW
the creator of the Spectrum Festival in Christchurch New-Zealand. At the same
time, was released a book about Truskool the French graffiti crew : “Truskool,
a story of graffiti in Toulouse” by Olivier Gal and Etienne Bellan-Huchery. That was the opportunity to meet taggers professional or not and
art galleries specialized in Street Art.
Off the Wall
Originally
Street Art can be defined by all the pictural artworks made on walls or
equipments of a city. It goes from tag, a simple signature, to elaborated
graffiti and up to mural paintings. Street Art covers technics as different as
painting with color bombs, patterns, poster, low relief or engraving. Street
Art is an Art Brut constantly transforming. The works are fragils sometimes
secrets sealed between buildings like treasure in an Egyptian grave.
Tilt, Toulouse, 2010 |
In the Street
Modern towns are dedicated to car traffic. Streets are transit spaces. The authorities organize circulation, channel people as if they could manage destinies. Every one has a defined place to be. Town assignes individuals inside walls leading to a no-face community. At the same time, graffiti are like wild grass. As soon as a place gets free, people reappear outside, reassert themselves in diversity and anarchy despite desires of control. Street Art seems to scream freedom against mass' domination refusing to be absorbed by the traffic.
à Toulouse, 2010 |
Graphic act
Street Art
is a subversive social act against private property. The artist reappropriates Town for himself and creates dialogue with the
street.
An approach which can be related to the first societies which are strongly linked to their environment. In the film Trumac**, someone in a street of NY says talking about graffiti: 'We unify the world'.
An approach which can be related to the first societies which are strongly linked to their environment. In the film Trumac**, someone in a street of NY says talking about graffiti: 'We unify the world'.
That’s why
what is going on between graffiti and walls is essential. Street art is
not pinning-up a frame on a wall : it doesn’t work. Graffiti is to take over
the wall, making up something with it, playing with it. The artist is connecting with this medium to say something to the public.
à Toulouse, 2010 |
Jumping over the wall
Crews of taggers share the same way of living the present. Their way of life and creating implies also body challenges such as getting to inaccessible or private places and risking confrontation with the police.
à Toulouse, 2011 |
Graffiti is something's getting into the overdetermined daily vision’s field of the passer-by. The city life is on the move, the tag makes you stop.
Tilt, Alix sofa, 2013. |
This free activity fighting against the established power and not dedicated to museum has reached an artistic maturity noticed by galleries. Besides, in cleaned-up city centers in a gentryfication process this art of sauvageons anti-bourgeois has been ennobled by authorities and now take place officially into the urban space.
The reapproprioation
act is fading for hypperealistic monumental paintings technics.
Street Art is now much more a question of lettering, flat tint, perspective,
characters than a life style. In galleries, Street Art is talking about urbanity, recalling of the graff power without capturing its prime energy.
TILT, Christchurch, 2016 |
If one can
regret Street Art has lost its subversive power, it has surely
became a symbol of urban vitality. That’s what the event RISE led by the OI YOU Association of George SHAW showed in
New Zealand. In Christchurch this town devastated by two hearthquakes, with
over 8000 homes being lost, the authorities has bet on Urban Art, included
graffiti, to regenerate this city and bring people back. Street Art appears
like the mark of individuals in the
urban dynamic. Thanks to Street Art in Christchuch, the no man’s land has
became a human’s land again proving the importance of Street Art in collective
imaginary. Now walls have their taggers.
*Editions ATLANTICA, 2016.
**Trumac, Third Millenium, film réalisé par ATN, 2003.
More photos of tags in Toulouse
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